Moon of the Wolf

Set in and near the bayou community of Marsh Island, Louisiana, "Moon of the Wolf" starts with the body of a young woman named Ellie being discovered by two locals. Though it appears she was mauled to death by wild dogs, the medical examiner (Beradino) soon determines that she was murdered. The sheriff (Janssen) is faced with the unfortunate task of determining which of his longtime friends or associates in this small, close-knit community are responsible for the brutal killing. His investigation soon leads him into some of the town's little known secrets.

"Moon of the Wolf" is a well shot, well acted film that seems to have been made on location in an actual swamp or wetlands. The storyline is logical and well-presented and an effort was made to employ real-life lycanthropy folklore (the loup-garou of France) rather than some contrived Hollywood creation. The makeup effects for the werewolf are not particularly high tech, but this should not be expected for a made-for-television film of this period. Viewers should expect more mystery than action, but there is a fair amount of suspense.

This film, for me, earns high marks. Fans of similar made-for-television films of the early to mid-1970s will not be disappointed. It rivals some of the best Dan Curtis productions in many ways yet is not as over-the-top as some of Curtis' material is. This is a must-see for die-hard fans of werewolf films.

"Moon of the Wolf" is a good example of a an early 70's made for TV horror film. This werewolf saga succeeds admirably due to the efforts of the cast, some good location shooting and a better than average screenplay (for TV at least). Actors like David Jansenn,Bradford Dillman and Barbara Rush do their professional best to put this story of lycanthropy in the south across and it manages to be both interesting and somewhat exciting despite some cheesy make up effects. It is a good way to pass an hour or so, and for my money is just as captivating as the kind of PG-13 horror fare that is ground out today to entice teenagers to go out to the multiplex.

This film begins with an old man known simply as "Tom Sr." (Royal Dano) and his adult son "Tom Jr." (John Davis Chandler) being woken up one night in their shack on the Louisiana bayou by the barking of their dogs. Not knowing what is causing the commotion, they both grab their guns and head out with the dogs in search of the culprit. To their shock, what they find is the body of a young woman who has apparently been half eaten by wild dogs. Naturally, they immediately call the local sheriff "Aaron Whitaker" (David Janssen) who comes out to investigate. What he discovers, however, is that the young lady was murdered and that the killer was apparently left-handed. At least, that is what he initially believes--and then things take an alarming turn for the worse. Now, rather than reveal any more, I will just say that this made-for-television movie started out really well due in large part to the mysterious undertones and the relatively solid cast. Admittedly, the film seems to deflate a bit once the killer is revealed but all things considered it managed to hold my interest for the most part and I have rated it accordingly. Average.

Creepy little tele-movie concerning a highborn Louisiana family with a dark secret. After a local girl is found mutilated in a nearby bayou, local sheriff (Janssen) must use all his detective skills to solve the crime. His investigation leads him to an old flame (Rush) and her aristocratic brother (Dillman) who are both keen for the culprit to be caught, but for different reasons. Everyone's a suspect including the local medical examiner (Beradino), who can't seem to determine the cause of death, while the paranormal activity leads to more mysterious victims. Tense, with a sometimes unsettling mood, the southern tones and textures make this an offbeat little suspender that belies its meagre TV budget.

The leading trio succeed with their characterisations and experienced feature director Petrie constructs an intelligent plot woven with effective twists and surprises. Appropriately, the romantic undertones between Janssen and Rush fail to flourish, and so the core narrative never loses momentum. Able support from Lewis, Dano and Chandler in particular, as the oafish yokels, suspects and victims, add capable depth to the cast & characters. Decent cinematography, apt dialogue and some effective chills ensure the end product is beyond the typical mid week tele-movie experience, and although the make-up effects are 'limited', this doesn't undermine the picture.

Lycanthropy devotee or not, the occult themes shouldn't deter you from investing 74 minutes in this modest mystery, entertaining despite its small screen threshold.

I was pretty surprised by this backwoods bayou shocker. Murders start occurring in a little Louisiana town, and the sheriff's investigation points to signs of a werewolf on the loose. If you can suspend the fact that it's pretty obvious who the wolf is, this is a fun mystery. And in addition to the werewolf plot, we've got ideas of class-consciousness, romance, unwanted pregnancies, and small-town sleaze to ponder. The performances were decent and it moves along quickly. Werewolf completists, fans of David Jansen or Bradford Dillman (he was in EVERYTHING in the 70s), and Cajun-Gothic fans can all find something here. Although I can't believe NOBODY in a bayou town knew the world loup-garou, there are worse ways to spend an afternoon than watching "Moon of the Wolf."