Navy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th centu... Read allNavy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th century).Navy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th century).
- Awards
- 1 nomination total
Featured reviews
The script is not too logical, there are many blank spaces here, but the story is good, and it gets exciting towards the end. Barbara Stanwyck is the star here as always, and although a singer of the same parenthesis category as Marlene Dietrich, her acting is superb and totally convincing all the way as usual. Robert Taylor makes one of his first roles as a totally honest gentleman who gets into trouble and has a hard time getting out of it, while Victor McLaglen is the only fun here who constantly has hearty laughs at his own practical jokes on others, even when he is shortly to be hanged. Brian Donleavy plays a sympathetic gangster, while the main attraction and merits of the film are all the wonderfully recreated musical numbers of that time around 1901, when President William McKinley was shot and Theodore Roosevelt entered the White House - he is convincing enough and has a few scenes. The film is great entertainment and reaches some levels of excitement, so it is by all means worth watching.
A pair of nuns escort a group of schoolgirls through Arlington National Cemetery, where they stop at the grave of Richard L. Perry, a lieutenant in the U.S. Navy. When the nuns are unable to answer a girl's query as to why Perry is buried therein, the film flashes back to 1901. The young Perry, played by Robert Taylor, is at a White House reception, where he is called into conference with President William McKinley. The President asks Perry to pursue a gang of bank robbers, who evidently have inside information from a high government source. Fearful that information sensitive to national security may also be at risk, the President tells Perry to drop out of the Navy without giving any reason, change his identity and break contact with friends, and only report by secretly coded letter to the President personally. This far-fetched premise sends Perry, without any apparent funds, to St. Paul, for no given reason, where he begins his quest for the robbers and the government leaker.
Viewers who can swallow the credibility-stretching plot conceived by Allen Rivkin and Lamar Trotti may find a few nuggets of silver among the gravel that constitutes "This is My Affair." Even the generic title, which offers no clue about the film's subject matter, is forgettable. Directed by William A. Seiter and filmed in black and white by Robert Planck, the movie is barely passable entertainment largely for fans of the stars. Robert Taylor in his youth was always too pretty for tough-guy roles, and he plays Perry without the necessary grit to convincingly stand up to his tough co-stars. Always a fascinating actress even in undemanding roles such as this, Barbara Stanwyck is Lil, a club singer and unwilling gangster moll. Lil performs, clumsily at times, in a club operated by Jock. Splendidly played by Victor McLaglen, Jock is a boorish childish jokester in love with Lil. When Taylor pursues an initially reluctant Stanwyck, the expected conflict with McLaglen arises, which, like everything else in this tired script, is a clichéd retread from dozens of other movies. Brian Donlevy as Batiste, the brains behind McLaglen, and John Carradine offer convincing support. However, Sydney Blackmer's corny impersonation of President Theodore Roosevelt is embarrassing; listening to him say "Speak softly and carry a big stick" over and over will make audiences cringe.
Although "This is My Affair" is somewhat vague as to what "affair" the title refers, the flimsy contrived plot offers little beyond a gangster story wrapped up in early 20th-century period costumes. Like the unnecessary prolog in Arlington Cemetery, the intrusive musical numbers that regularly interrupt the film only serve to extend the running time. Stanwyck was not noted for her singing or her dancing, and even her skill as an actress fails to convince that she is a great stage presence. While Taylor is handsome and Stanwyck is worth watching, McLaglen gives the film's best performance as Jock, the big overgrown kid, who always has a new joke or trick to play. However, other than McLaglen, Stanwyck, and Donlevy, "This is My Affair" could be re-titled "This is a Dull Affair."
Viewers who can swallow the credibility-stretching plot conceived by Allen Rivkin and Lamar Trotti may find a few nuggets of silver among the gravel that constitutes "This is My Affair." Even the generic title, which offers no clue about the film's subject matter, is forgettable. Directed by William A. Seiter and filmed in black and white by Robert Planck, the movie is barely passable entertainment largely for fans of the stars. Robert Taylor in his youth was always too pretty for tough-guy roles, and he plays Perry without the necessary grit to convincingly stand up to his tough co-stars. Always a fascinating actress even in undemanding roles such as this, Barbara Stanwyck is Lil, a club singer and unwilling gangster moll. Lil performs, clumsily at times, in a club operated by Jock. Splendidly played by Victor McLaglen, Jock is a boorish childish jokester in love with Lil. When Taylor pursues an initially reluctant Stanwyck, the expected conflict with McLaglen arises, which, like everything else in this tired script, is a clichéd retread from dozens of other movies. Brian Donlevy as Batiste, the brains behind McLaglen, and John Carradine offer convincing support. However, Sydney Blackmer's corny impersonation of President Theodore Roosevelt is embarrassing; listening to him say "Speak softly and carry a big stick" over and over will make audiences cringe.
Although "This is My Affair" is somewhat vague as to what "affair" the title refers, the flimsy contrived plot offers little beyond a gangster story wrapped up in early 20th-century period costumes. Like the unnecessary prolog in Arlington Cemetery, the intrusive musical numbers that regularly interrupt the film only serve to extend the running time. Stanwyck was not noted for her singing or her dancing, and even her skill as an actress fails to convince that she is a great stage presence. While Taylor is handsome and Stanwyck is worth watching, McLaglen gives the film's best performance as Jock, the big overgrown kid, who always has a new joke or trick to play. However, other than McLaglen, Stanwyck, and Donlevy, "This is My Affair" could be re-titled "This is a Dull Affair."
Years before Robert Taylor and Barbara Stanwyck were married, they made a couple of films together: His Brother's Wife and This Is My Affair. If you're looking for cute chemistry, rent the 1937 movie, because the first film they made together isn't particularly romantic.
In this one, Robert Taylor gets sent on a secret undercover mission by President McKinley to help catch bank robbers. It sounds like an extremely lame plot, and while no one would ever accuse this movie of turning into a classic, if you want to see an acting couple who eventually got married, you can rent it. Bob goes undercover, with only a secret symbol to write on his letters as proof that the president is on his side, and along the way falls in love with nightclub singer Barbara Stanwyck.
One of the fun parts of the movie, besides seeing the lovebirds together, is Sidney Blackmer's Theodore Roosevelt impression. He's very entertaining, and the script includes several of the President's famous quotes to make audiences chuckle.
In this one, Robert Taylor gets sent on a secret undercover mission by President McKinley to help catch bank robbers. It sounds like an extremely lame plot, and while no one would ever accuse this movie of turning into a classic, if you want to see an acting couple who eventually got married, you can rent it. Bob goes undercover, with only a secret symbol to write on his letters as proof that the president is on his side, and along the way falls in love with nightclub singer Barbara Stanwyck.
One of the fun parts of the movie, besides seeing the lovebirds together, is Sidney Blackmer's Theodore Roosevelt impression. He's very entertaining, and the script includes several of the President's famous quotes to make audiences chuckle.
...from 20th Century Fox and director William A. Seiter. US President William McKinley assigns naval lieutenant Richard Perry (Robert Taylor) to go undercover in order to find and stop a bank robbery ring in Minnesota. The job is so sensitive that no one is aware of Perry's true identity and mission other than McKinley himself. Once in Minnesota, Perry connects the gang to a casino run by Batiste Duryea (Brian Donlevy) and his right-hand man Jock Ramsey (Victor McLaglen). Perry tries to gain entry to the gang while also romancing Batiste's stepsister singer Lil Duryea (Barbara Stanwyck), who had been Jock's girl. This is all leads to confrontations, double-crosses, and...well, any history buff can probably guess what happens. Also featuring Frank Conroy as William McKinley.
This silly circumstances of the plot lead to a decent undercover cop story with a lot of interesting actors. Stanwyck and Taylor's real life romance helped their on-screen chemistry, although it didn't help Stanwyck's singing voice. Sidney Blackmer makes for what may be the screen's worst Teddy Roosevelt.
This silly circumstances of the plot lead to a decent undercover cop story with a lot of interesting actors. Stanwyck and Taylor's real life romance helped their on-screen chemistry, although it didn't help Stanwyck's singing voice. Sidney Blackmer makes for what may be the screen's worst Teddy Roosevelt.
1937's "This is My Affair" is remembered as the only costarring effort for lovebirds Robert Taylor and Barbara Stanwyck (they wed in 1939), a diverting espionage tale if a tad overlong (working titles included "Living Dangerously," "Private Enemy," "The McKinley Case," "The Turn of the Century," and even "My Affair"). Taylor's Richard Perry is asked by President William McKinley to work undercover infiltrating a tricky band of bank robbers led by Batiste Duryea (Brian Donlevy), who miraculously avoid leaving any clues behind for the Secret Service. Perry allows himself to be charged for murder to get on the good side of prankster Jock Ramsey (Victor McLaglen), but his activities are frowned upon by pretty chanteuse Lil Duryea (Barbara Stanwyck), younger sister of mastermind Batiste. A terrific cast buoys this one considerably, with John Carradine in for one extended sequence as Ed, unassuming pigeon for Ramsey's tricks, and an unbilled Lon Chaney spotted as an FBI agent at the 72 minute mark, with a single line in a Baltimore bank: "this one's dead as a mackerel!" By an ironic twist of fate, Chaney and Carradine would both go on to enjoy parallel careers in the horror genre, here cast in the same film for the very first time, 12 more to follow until 1967's "Hillbillys in a Haunted House."
Did you know
- TriviaThis film was made and released before Barbara Stanwyck and Robert Taylor were married. In the oversized, 22-page press book that the studio had prepared for the exhibitors, there were constant references to and blurb lines describing Stanwyck and Taylor as "real-life sweethearts" or "real-life heart interests", etc., stills captions particularly, typical 1930s selling points to be used in the advertising. However, somewhere between the planning and the execution, something went amiss, and the pressbook had an 8x10 snipe pasted on page three with specific instructions: Dated May 26, 1937, and addressed to Exhibitors as IMPORTANT NOTICE. It read: "Delete the phrase "real-life sweethearts" and any similar phase, or any stunts or copy along the same line from all advertising or publicity on THIS IS MY AFFAIR. In utilizing any of the press book materials you will please correct the copy, eliminating the words "real-life sweethearts." Please note that this applies to everything in the press book, publicity copy, ads, exploitation, stunts, etc. Your cooperation will be appreciated." (signed) Charles E. McCarthy-Advertising Manager
- Crazy creditsThe opening credits list the names in picture frames with subtle tree silhouettes in the background.
- ConnectionsReferenced in Biography: Barbara Stanwyck: Straight Down the Line (1997)
- SoundtracksI Hum a Waltz
(1937) (uncredited)
Lyrics by Mack Gordon
Music by Harry Revel
Played during the opening and end credits and in the score often
Sung by Barbara Stanwyck at the Capital Cafe
Reprised a cappella a bit by Robert Taylor
Reprised again by Stanwyck with Don Craig, Bill Days, Homer Gayne and Arthur McCullough
- How long is This Is My Affair?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Herojska dolžnost poročnika Perryja
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.37 : 1
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