Ordinary people's lives are documented in comic style by an off-screen narrator.Ordinary people's lives are documented in comic style by an off-screen narrator.Ordinary people's lives are documented in comic style by an off-screen narrator.
- Nominated for 1 BAFTA Award
- 2 wins & 2 nominations total
Browse episodes
Mark Hadfield
• 1999–2001
Mike Haley
• 1999–2001
Ewan Bailey
• 1999–2001
Iain Rogerson
• 1999–2001
Jilly Bond
• 1999
Beth Chalmers
• 2001
Colin Murphy
• 2001
David Roper
• 2001
Featured reviews
10viv421
I LOVED this series. Watched once and then went back to stream again and again. Inventive, clever and laugh out loud quality. Wish US audience could enjoy season two. Highly recommend...
Hapless Roy Mallard (the almost entirely unseen Chris Langham) makes documentaries about 'people like us': bank manager, estate agent, mother, vicar, photographer, pilot, etc. These half hour episodes are as droll as anything you'll see or hear.
The droning narration is a masterpiece of nonsense. Almost every sentence has a misunderstanding, a mixed metaphor or something downright silly. If you like lines like: 'if John and Mary are still together in two years they'll both have been married to the other person, as husband and wife, for the same period of four years', make sure you watch 'People Like Us'. But if you prefer to snigger at custard pies, painful blows to the groin or creepy Benny Hill chasing bikini babes, this won't be your cup of tea.
This is cerebral rather than visceral comedy. There are some running jokes, mainly about the appearance, marital status and name of Roy/Ray Mallard/Nolland/Mattard and the succession of faux pas he commits.
The acting is excellent throughout. Even the credits play the game by not linking performers with their roles. All we see is that the BBC wishes to thank Tom, Dick and Harriet, etc.
Each episode is superficially pedestrian and boring, as we appear to follow a typical day of 'people like us' in the time-honoured 'fly-on-the-wall' manner. But this isn't wham, bam, in your face comedy. You have to concentrate very hard to get everything. Watch out for the flustered mother loading slices of uneaten toast into the dishwasher. Listen to the flight attendant, Susan Churchfield, switching to French, introducing herself as Suzanne Eglisechamp and later asking passengers to return to their assiettes. Note the plane reflected in the office block windows flying backwards.
'People Like Us' is a wonderful series, for those who like that kind of thing. For aficionados, it could hardly be bettered. Rarely has humour been so clever and concentrated. For others, reruns of Benny Hill, Paul Hogan and too many others of that ilk can always be found. I know what I prefer.
The droning narration is a masterpiece of nonsense. Almost every sentence has a misunderstanding, a mixed metaphor or something downright silly. If you like lines like: 'if John and Mary are still together in two years they'll both have been married to the other person, as husband and wife, for the same period of four years', make sure you watch 'People Like Us'. But if you prefer to snigger at custard pies, painful blows to the groin or creepy Benny Hill chasing bikini babes, this won't be your cup of tea.
This is cerebral rather than visceral comedy. There are some running jokes, mainly about the appearance, marital status and name of Roy/Ray Mallard/Nolland/Mattard and the succession of faux pas he commits.
The acting is excellent throughout. Even the credits play the game by not linking performers with their roles. All we see is that the BBC wishes to thank Tom, Dick and Harriet, etc.
Each episode is superficially pedestrian and boring, as we appear to follow a typical day of 'people like us' in the time-honoured 'fly-on-the-wall' manner. But this isn't wham, bam, in your face comedy. You have to concentrate very hard to get everything. Watch out for the flustered mother loading slices of uneaten toast into the dishwasher. Listen to the flight attendant, Susan Churchfield, switching to French, introducing herself as Suzanne Eglisechamp and later asking passengers to return to their assiettes. Note the plane reflected in the office block windows flying backwards.
'People Like Us' is a wonderful series, for those who like that kind of thing. For aficionados, it could hardly be bettered. Rarely has humour been so clever and concentrated. For others, reruns of Benny Hill, Paul Hogan and too many others of that ilk can always be found. I know what I prefer.
I caught this show on late-night PBS one time and I have made a point to watch several episodes since then. John Morton is a comedic genius! The comedy sort of reminds me of "Spinal Tap" with maybe a hint of "Curb Your Enthusiasm" - sort of subtle, and the more you watch it the funnier it gets.
Part of what makes it funny is the main character give a clinic on how NOT to make a documentary: he narrates at inappropriate times, gets too involved in the lives of his subjects when he should be just an observer, does a lot of bad editing, etc. Also, his subjects are so pathetic it's almost painful to watch. Beyond that, I can't really describe what's so funny about it - just watch one episode if you get the chance and you'll understand.
Part of what makes it funny is the main character give a clinic on how NOT to make a documentary: he narrates at inappropriate times, gets too involved in the lives of his subjects when he should be just an observer, does a lot of bad editing, etc. Also, his subjects are so pathetic it's almost painful to watch. Beyond that, I can't really describe what's so funny about it - just watch one episode if you get the chance and you'll understand.
Chris Langham's fictional documentarian "Roy Mallard" follows people in various professions for a day in their life, to show that they are "just like us". Some of the episodes are extremely funny (the befuddled photographer or the dysfunctional police station are quite good). The humor is often based on embarrassment and, unfortunately, in some of the episodes, the embarrassment and the tension simply mount up and make it as unpleasant as a family argument caught on video.
In the best episodes, the humor rises more from sheer incompetence than tension -- not only from the professionals who have no notion of what they're doing, but from Mallard himself, an utterly inept film maker and interviewer. His voice-overs are pointless. His questions are insipid, and as often as not he'll receive a question answering a question and he'll wind up doing most of the talking. He also gets too involved, bumping into things and sometimes causing the very problems he films.
Occasionally a recognizable face surfaces -- Bill Nighy as the photographer, for instance. Most of the actors are suitably unknown and do a very good job playing real people.
This show is not for people who don't appreciate subtle humor and can't follow a running gag (a joke may be set up in passing in the first few minutes, with the payoff coming much later). The shows are mostly low-key, and Mallard may be sleep-inducing for some. "People Like Us" is at its best is letter-perfect but drags in the episodes where the jokes aren't working.
In the best episodes, the humor rises more from sheer incompetence than tension -- not only from the professionals who have no notion of what they're doing, but from Mallard himself, an utterly inept film maker and interviewer. His voice-overs are pointless. His questions are insipid, and as often as not he'll receive a question answering a question and he'll wind up doing most of the talking. He also gets too involved, bumping into things and sometimes causing the very problems he films.
Occasionally a recognizable face surfaces -- Bill Nighy as the photographer, for instance. Most of the actors are suitably unknown and do a very good job playing real people.
This show is not for people who don't appreciate subtle humor and can't follow a running gag (a joke may be set up in passing in the first few minutes, with the payoff coming much later). The shows are mostly low-key, and Mallard may be sleep-inducing for some. "People Like Us" is at its best is letter-perfect but drags in the episodes where the jokes aren't working.
I really love this sitcom. It´s a breath of fresh air from all those stupid moronic American trash proggies (with exception of Seinfeld, that is). For starters, there is no laugh track. Nobody laughs in the show. I simply love that. It´s great! You don´t hear those damn idiotic laughs that are crammed all over other sitcoms. Second, it´s filmed as a documentary. The basic premise is this guy, Roy Mallard, that walks around interviewing people at work. For example, a headmaster of a nice school, a freelance fotographer, people like that. So, in the beginning, every thing seems quite Unfunny, but then stupid things start to happen. People do mistakes, and funny things, altough they don´t even understand it. For instance, Roy is always saying "Hum" and "Hun hun" in order to advance in the interview. The show is excellent, and I really can´t describe accurately. You have to see it for yourself.
Did you know
- TriviaThough host Roy Mallard (voiced by Chris Langham) is never actually seen on-screen, a part of him will be seen in each episode, either a body-part or a reflection - a glass sliding door in episode 1.2, 'The Estate Agent', on the CCTV in 1.3 'The Police Officer' and in a shop window in episode 1.5, 'The Photographer' as well as seen briefly in a badly developed photo. In 1.4 'The Solicitor' his cheek and nose are seen when he spills his tea.
- Quotes
Alison: This is going to be it now, isn't it?
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