IMDb RATING
5.7/10
3.5K
YOUR RATING
A Vietnam War veteran who's been imprisoned for murder is offered freedom if he agrees to commit a contract killing for a shady organization.A Vietnam War veteran who's been imprisoned for murder is offered freedom if he agrees to commit a contract killing for a shady organization.A Vietnam War veteran who's been imprisoned for murder is offered freedom if he agrees to commit a contract killing for a shady organization.
- Awards
- 1 nomination total
Joseph V. Perry
- Bowkemp
- (as Joseph Perry)
Claire Brennen
- Ruby
- (as Claire Brennan)
James W. Gavin
- Lenny
- (as Jim Gavin)
Featured reviews
This is one of those films which stars a great movie actor, Gene Hackman. The premise is from the Adam Kennedy novel called " The Domino Princiiple. " Roy Tucker, (Gene Hackman) a Viet-Nam veteran who is serving time in prison for murder is visited by a strange, and apparently powerful man Richard Widmark) who offers to get him released if he will use his special abilities. Having nothing to lose, Tucker agrees, with a single condition, to have his wife Ellie (Candice Bergen) released as well. The organization grants his request and promises much more. After a few weeks, Tucker is given the secret assignment and he quickly realizes the job has no future for him or his wife. However, he also knows to fight the organization will not be easy. If you have already seen the earlier version called 'The Paralax View' you'll realize this is a less convincing version. Despite the fact, top notch director, Standly Kramer, Mickey Rooney, Edward Albert, Jay Novello and Eli Wallach, were all involved in this project, it fails to match the earlier movie with Warren Beatty. Still, with Hackman doing his best, it remains interesting. ***
Kramer, first as a producer and then a director, had been at the forefront in dealing with important social themes in Hollywood (THE DEFIANT ONES [1958], ON THE BEACH [1959], INHERIT THE WIND [1960] and JUDGMENT AT NUREMBERG [1961] were his best films); by the late 60s, however, his particular brand of investigative style went out-of-date. In its place largely in the wake of the Kennedy and Martin Luther King assassinations the Kafkaesque political thriller became fashionable; unsurprisingly, Kramer decided to try his hand at this as well but the end result proved middling at best.
He certainly had his heart in the right place by choosing Gene Hackman, one of the finest actors of his generation, for the lead role having already appeared in such superb pieces of alienation and paranoia as Francis Ford Coppola's THE CONVERSATION (1974) and Arthur Penn's NGHT MOVES (1975). His supporting cast looks impressive enough on paper, but they're given little to do: Candice Bergen (who's supposedly decorous here but is saddled with a highly unbecoming wig!), Richard Widmark (appropriately craggy in the role of a leading member of the secret organization), Mickey Rooney (amusingly cantankerous as Hackman's prison pal), Edward Albert (playing Widmark's young, ambitious and confrontational sidekick, thus making an interesting foil for the world-weary Hackman) and, in perhaps the least rewarding part of the lot, Eli Wallach (as Hackman's 'job' co-ordinator).
The film looks good but is bogged down by a rather icky central romance and the deliberate obliqueness of its narrative (starting with the hokey credit sequence). The effectively ironic revelation, then, is unfortunately followed by a number of other less convincing (not to say unwarranted) plot twists in quick succession the last of which even rips off GET CARTER (1971)!
He certainly had his heart in the right place by choosing Gene Hackman, one of the finest actors of his generation, for the lead role having already appeared in such superb pieces of alienation and paranoia as Francis Ford Coppola's THE CONVERSATION (1974) and Arthur Penn's NGHT MOVES (1975). His supporting cast looks impressive enough on paper, but they're given little to do: Candice Bergen (who's supposedly decorous here but is saddled with a highly unbecoming wig!), Richard Widmark (appropriately craggy in the role of a leading member of the secret organization), Mickey Rooney (amusingly cantankerous as Hackman's prison pal), Edward Albert (playing Widmark's young, ambitious and confrontational sidekick, thus making an interesting foil for the world-weary Hackman) and, in perhaps the least rewarding part of the lot, Eli Wallach (as Hackman's 'job' co-ordinator).
The film looks good but is bogged down by a rather icky central romance and the deliberate obliqueness of its narrative (starting with the hokey credit sequence). The effectively ironic revelation, then, is unfortunately followed by a number of other less convincing (not to say unwarranted) plot twists in quick succession the last of which even rips off GET CARTER (1971)!
First I bought The Butterfly Effect, now The Domino Principle. In both movies the title makes a promise which is not kept in the least. The metaphor signifying that one falling stone brings all the others down has nothing to do with the story. The main character is rather a pawn in a game of chess, with no will of its own and part of an unknown scheme concocted by the player. Unfortunately the viewers do not learn much about the scheme either and everything simmers down to blind anti-government paranoia.
The acting is better than the story, and there are a few great helicopter scenes. This is possibly the last time Richard Widmark used his insane Tommy Udo laughter in a movie. Eli Wallach has not enough screen time to be more than reliable. One of the reasons to watch this is Mickey Rooney. His performance is a sheer delight. He plays Gene Hackman's sidekick in prison and steals every scene he's in. What a great character actor this former child star became!
For the opening credits of this movie they seem to have used several childhood photos of Gene Hackman, apart from a number of dominoes.
The acting is better than the story, and there are a few great helicopter scenes. This is possibly the last time Richard Widmark used his insane Tommy Udo laughter in a movie. Eli Wallach has not enough screen time to be more than reliable. One of the reasons to watch this is Mickey Rooney. His performance is a sheer delight. He plays Gene Hackman's sidekick in prison and steals every scene he's in. What a great character actor this former child star became!
For the opening credits of this movie they seem to have used several childhood photos of Gene Hackman, apart from a number of dominoes.
Want to waste some time and some brain cells? That's the side effect of watching this very bad film. Gene Hackman is his usual commanding self. Candice Bergen is totally out of her element, and this miscasting could easily have earned her a "Golden Turkey" award. The plot edited down to 100 minutes is vague, confusing, and nothing but a time waster. With the supporting cast including Eli Wallach and Richard Widmark, you would reasonably expect more for them to work with. Unfortunately that is not the case. The entire movie is a "so what". You won't give a damn about what you are seeing on the screen, because nothing, and I mean nothing is explained. What you are left with is a pretty location, boring beyond belief, crappy film. - MERK
I actually did enjoy this movie and the premise, Richard Widmark and Eli Wallach were very good. The main problem with this movie is Gene Hackmans character and performance. Don't get me wrong. Gene Hackman is a terrific actor but even he said his performance was not good, to me he seemed bored. But the main issue was his character kept making choices that just made me facepalm and that were so obviously bad which is pretty bad writing. Which was pretty aggravating because all in all it was a very decent film to pass the time, not spectacular but passable. Mickey Rooney also did a terrific job in this film I loved his role. Decent film as long as you go into it knowing it's flawed.
Did you know
- TriviaGene Hackman was not proud of his performance in the film, and admitted that he only took the role for the money.
- GoofsThe bread truck carrying Tucker and Spiventa is shown driving across the Golden Gate Bridge in the southbound direction from Marin County to San Francisco. However, the very next scene in which the prisoners are escorted out of the truck clearly takes place under the roadway back on the Marin side of the bridge.
- Alternate versionsWest German theatrical version was cut by approx. 17 minutes. Strangely, the East German version was uncut.
- ConnectionsReferenced in The Manipulators (1977)
- How long is The Domino Principle?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Los implacables
- Filming locations
- Puerto Vallarta, Jalisco, Mexico(used for Costa Rica locations)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
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