IMDb RATING
5.9/10
168
YOUR RATING
A professional holdup man with scruples has a young ambitious partner who covets his wife and his life. When the holdup man goes to prison, the partner cuts loose, leaving a trail of deaths ... Read allA professional holdup man with scruples has a young ambitious partner who covets his wife and his life. When the holdup man goes to prison, the partner cuts loose, leaving a trail of deaths behind him.A professional holdup man with scruples has a young ambitious partner who covets his wife and his life. When the holdup man goes to prison, the partner cuts loose, leaving a trail of deaths behind him.
Fajda Nicol
- Brunette Prostitute
- (as Fajda Nicols)
5.9168
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Featured reviews
Italian Crime Movie with John CASSAVETES
John CASSAVETES as a slick gangster in Rome
It's the old story: A beautiful mannequin (Anita Sanders) gets involved with a windy charmer (John Cassavetes), who often does very crooked things with his buddy (very evil: Nikos Kourkoulos). Of course that doesn't suit the inspector (Gabriele Ferzetti). And so what has to happen happens. One friend is arrested, the other wants to take over, including the beautiful woman! The old drama, told again and again!
With this film, successful producer Dino De LAURENTIIS (Silvana MANGANO's husband) started the wave of Italian crime films that would ensure CINECITTA's income and livelihood until the early 1980s. Beautiful pictures of Rome, up and down the Via Veneto and also the luxury shops on the Via Condotti are appreciated in detail. 320 million ITL were sold in the domestic box office.
John Cassavetes was simply on a roll after The Dirty Dozen and Rosemary's Baby. Back then, no one could manage this engaging self-satisfaction as well as he did. The still quite young Giancarlo Prete (1943-2001) has a small appearance.
Not bad, but not a big hit yet! It wasn't supposed to come out in the Poliziottesco genre until 1972!
It's the old story: A beautiful mannequin (Anita Sanders) gets involved with a windy charmer (John Cassavetes), who often does very crooked things with his buddy (very evil: Nikos Kourkoulos). Of course that doesn't suit the inspector (Gabriele Ferzetti). And so what has to happen happens. One friend is arrested, the other wants to take over, including the beautiful woman! The old drama, told again and again!
With this film, successful producer Dino De LAURENTIIS (Silvana MANGANO's husband) started the wave of Italian crime films that would ensure CINECITTA's income and livelihood until the early 1980s. Beautiful pictures of Rome, up and down the Via Veneto and also the luxury shops on the Via Condotti are appreciated in detail. 320 million ITL were sold in the domestic box office.
John Cassavetes was simply on a roll after The Dirty Dozen and Rosemary's Baby. Back then, no one could manage this engaging self-satisfaction as well as he did. The still quite young Giancarlo Prete (1943-2001) has a small appearance.
Not bad, but not a big hit yet! It wasn't supposed to come out in the Poliziottesco genre until 1972!
Just potboilers for Cassavetes!
The only reason to watch this is John Cassavetes.But not only the screenplay is almost devoid of interest but you should also know that half of the movie is Cassavetesless.When he's in jail,he's content to take a back seat and let his pals do the job and the audience is frustrated.Some often say that Cassavetes 's acting in other people's movie was just a job that paid the rent:not true because this very year 1968 saw Cassavetes going to a peak of his actor's career with his unforgettable Guy Woodhouse in "Rosemary's baby"."Roma come Chicago" (check the title) desperately tries to make the audience believe there're watching an American thriller,in spite of an all-Italian cast.More violent than the average thriller of the era though,and what will become of the child?
Middle of the road crime story
A straight-up Italian crime film about a couple of brothers who go around committing hold-ups. This is brought extra gravitas by John Cassavetes in the main role, but he underplays his part here and tends to be overshone by others. The film itself is rather middle of the road, with some exciting moments and greater character depth than expected, but it only really shines towards the climax.
cheesy heist film
Bandits in rome, or, in europe, its called... roma come chicago, banditi a roma. The sound is pretty awful. Gets louder and softer at times. But if you stick with it, it's pretty entertaining. When bandits rob a post office in rome, one (cassavetes) gets caught! The other, younger and inexperienced, goes rogue, and starts shooting and killing, which the experienced partner never wanted.
The free partner even moves in on the other dude's lady. For most of the film, we can hear the trumpets and sax, playing a constant police siren sound in the background, which got annoying. After a while, i just tuned it out. It's like an updated spaghetti western. Kind of fun to watch, just because its so silly. Directed by alberto de martino. Check out the films he has directed.. some real stinkers in that list! But this one is actually fun. Produced by dino de laurentis. Like so many of the other films made with murrican actors in italy.
The free partner even moves in on the other dude's lady. For most of the film, we can hear the trumpets and sax, playing a constant police siren sound in the background, which got annoying. After a while, i just tuned it out. It's like an updated spaghetti western. Kind of fun to watch, just because its so silly. Directed by alberto de martino. Check out the films he has directed.. some real stinkers in that list! But this one is actually fun. Produced by dino de laurentis. Like so many of the other films made with murrican actors in italy.
Embryotic Poliziotesschi
This time round John Cassavetes plays an armed robber who is strictly professional in his approach. He doesn't kill anyone, gets the job done, and gets home in time to take his girlfriend and his son to the circus. He's a good guy who's taken the wrong path in life, but we all know that this lifestyle catches up those who live it.
His young partner is part of the problem. Enrico is very trigger happy and borderline psychotic, and when the cops set up a sting to catch the two of them robbing a place, he guns down two people, one of whom is a cop. Enrico isn't known to the police so the cops instead go after and capture Cassavetes, at once revealing his double life to his unsuspecting girlfriend and opening up an opportunity for Enrico to both get his own gang together and hit on Cassavetes' girlfriend.
Cassavetes won't spill the beans on Enrico, even when the cops lay the double murder on him, and the film shifts focus from his to Enrico's attempts at becoming an established robber in his own right, which leads to more murder, double crossings, rape, and showdown involving helicopters and pure man-rage.
Although it's a little overlong (being an Alberto De Martino film after all) this one is quite nicely paced, with another strong performance from Cassavetes. Although he's sidelined halfway through the film, the guy playing Enrico nicely carries the film as he proves he's too mental to be as successful as Cassavetes. Nice backup from the supporting cast too.
It's nowhere near as extreme as the Eurocrime films of the mid-sevenites, but De Martino does throw in the gun fights and car chases you'll be expecting. It doesn't have as many slow spots as his other films either, so that's a bonus.
Rome is used to good effect to - so you'll see the Piazza Navona, Coliseum and the EUR.
His young partner is part of the problem. Enrico is very trigger happy and borderline psychotic, and when the cops set up a sting to catch the two of them robbing a place, he guns down two people, one of whom is a cop. Enrico isn't known to the police so the cops instead go after and capture Cassavetes, at once revealing his double life to his unsuspecting girlfriend and opening up an opportunity for Enrico to both get his own gang together and hit on Cassavetes' girlfriend.
Cassavetes won't spill the beans on Enrico, even when the cops lay the double murder on him, and the film shifts focus from his to Enrico's attempts at becoming an established robber in his own right, which leads to more murder, double crossings, rape, and showdown involving helicopters and pure man-rage.
Although it's a little overlong (being an Alberto De Martino film after all) this one is quite nicely paced, with another strong performance from Cassavetes. Although he's sidelined halfway through the film, the guy playing Enrico nicely carries the film as he proves he's too mental to be as successful as Cassavetes. Nice backup from the supporting cast too.
It's nowhere near as extreme as the Eurocrime films of the mid-sevenites, but De Martino does throw in the gun fights and car chases you'll be expecting. It doesn't have as many slow spots as his other films either, so that's a bonus.
Rome is used to good effect to - so you'll see the Piazza Navona, Coliseum and the EUR.
Details
- Runtime
- 1h 45m(105 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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