Worth

The good: excellent acting performance by Michael Keaton. Photography and direction are great as well.

What's missing? Anything bad? Well, this movie turns into a feel good movie, wherein all the 9/11 vicitm's families suddenly start treating the government as a friend, while in real life there was no such thing. In fact there is still a lot of resentment towards the government because of the fact that a lot of volunteer aid workers did not get a penny. Not even for their severe disabilities.

Still not a bad movie, but a movie which feels like someone is whitewashing the mistreatment of many aid workers by painting a rosy picture of a terrible mistreatment of volunteer aid workers.

Worth is not an adventure movie; it is a process movie. The changes are very small; it affects the attorneys, victims, and other advocates.

The individual performancesb Michael Keaton and Stanley Gucci provide gravitas for the entire movie.

Buried in the Netflix movie graveyard is this little unseen gem about a lawyer (Michael Keaton) who's given the job of figuring out how much compensation to give each family of people who died in the 9/11 attacks.

This is one of those scrappy do-gooder movies like "Erin Brockovich" or "Dark Waters" that pit earnest, well meaning folk against corporate greed, and I'm a total sucker for those kinds of movies. Michael Keaton is perfect to play a role like this, because he's so darn charismatic and likable and easy to root for. Add in Stanley Tucci, who makes everything he's in worth watching, and that's all you really need. But as a bonus, there's excellent work from Amy Ryan and stage actress Laura Benanti. The only acting misstep comes from Tate Donovan, who gets the unenviable task of representing Rich People and who is only lacking a silent villain mustache to turn his character into a total cartoon.

"Worth" goes into the things you'd think a movie like this would: economic and class disparity, the moral ramifications of putting the worth of a human life to a dollar figure, an American system that piles advantages on top of people who already have all the advantages. But it stays smart and understated and never overplays its hand.

Every year I try to see as many movies as I can regardless of how well they're reviewed or whether or not they get any awards attention, and movies like this are why. For every four you see that are forgettable or worse, there's a fifth that makes you glad you found it.

Grade: A.

It is a film that shows American culture in all its expression, Values vs Economy, Reason vs Economy, Humanitarian Act vs Economy.

A film by a director who was unknown to me, Sara Colangelo, for me it is a pleasant surprise to discover this young director. I also loved the performance of Amy Ryan as Camille Biros, she managed to play a mature woman, very professional of these times.

Well written, edited, and so forth. Keaton and Tucci are masterful in their portrayals. The movie has very touching moments that portrays the situation in the film as well as those of the stories of the people this is based on in a very sympathetic and emotional manner. I would recommend to almost anyone who asks me to give it a shot. My only real criticism is that it can be slow at times, and at the core concept the movies plot self describes to be about justice. How suing the airlines over the events of 9/11 is about justice or the motivation in doing so however is never explained.

It comes down to characters always saying the whole movie is about being just but never once explains why it's the airlines fault.