Birdee Calvert must choose between her morals and her heart after her husband divorces her and a charming young man, who her daughter disapproves of, comes back into her life.Birdee Calvert must choose between her morals and her heart after her husband divorces her and a charming young man, who her daughter disapproves of, comes back into her life.Birdee Calvert must choose between her morals and her heart after her husband divorces her and a charming young man, who her daughter disapproves of, comes back into her life.
- Awards
- 3 wins & 8 nominations total
- Big Dolores
- (as Rachel Lena Snow)
- Debbie Reissen
- (as Allisa Alban)
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Featured reviews
Birdee, and the film, are very down-to-earth. Although she lived in Chicago, she's much more suited to the small-town life that she grew up in in Texas. They don't go for much of the obvious comedy of big-city girl versus small-town country girl. And that's a good thing.
The young daughter can get annoying, and the romantic comedy angle is transparent from the beginning. But the natural drama that Birdee goes through in trying to rebuild her life after a public divorce is done well enough that it makes "Hope Floats" worth watching.
This slow, understated movie may be a difficult watch for the action film crowd. It is definitely a character study and, in that, it excels. Bullock gives an excellent portrayal as the prom queen who learns that life is not an endless picnic. She also looks utterly beautiful throughout the film. The young actress playing her daughter is also quite good as the troubled and confused child of a broken home. Rowlands and Connick, Jr. lend ample support. No, please don't look for car crashes or chase scenes. Instead bask in the film's simple pleasures, such as fishing on a quiet lake or dancing at a county fair. Those who like romance will be satisfied but the growth of the female characters is worth much more. Ladies, send the men off to the bowling alley and invite your friends over for a girlie get-together. This film is definitely one that women will enjoy while holding hands and celebrating the joys of ya-ya sisterhood.
The sun-dappled cinematography, though reliant on soft-focus, is beautiful like Romantic American oils. Shot in gorgeous earth tones, HOPE FLOATS is a stunning series of postcards, the better onto which graft the sickness of relationship disfunctions. The painterly still shot of the main character taking a photograph through a window still haunts me, as does the magnificent late sequence drenched in rain.
Thankfully for the viewer, the manichean script is brought to life with a breezy confidence by Forest Whitaker. This assured artist has worked with the likes of Jim Jarmush and Clint Eastwood, and it shows in his cool camera work and straightforward approach to material that is little better than the "reality talk shows" it twice decries. Himself an actor, the director pulled bravura performances out of his main cast.
For the real star of this show is the acting: from Harry Connick Jr's solid performance to the great Gena Rowlands spot-on delivery, it's all good. Mae Whitman devastates in her "money shot" and even the bit parts are interesting to watch. But with a glance, a crooked smile and a much improved body language, it is star Sandra Bullock who proves the real gem in a movie that sparkles with all the pretension of a jewellery store. The underplayed, devastating opening scene is worth a dozen scenery-chewing showpieces - and then some.
There is quite a bit of emotional baggage borrowed in PRACTICAL MAGIC here, but the underpinnings are far better. Fearless, engaged and precise, Bullock's performance is a virtuoso piece that makes watching HOPE FLOATS a real treat; I have never seen her more bold or more beautiful (even as a vamp in MISS CONGENIALITY) - she is absolutely gorgeous here.
Manipulation and honesty mixed in an effective, emotional pressure-cooker, HOPE FLOATS may just make you sick like a roller-coaster. But for anyone interested in Sandra Bullock, it is required viewing . ..
Forest Whitaker (acting in such films as "Blown Away" and "Phenomenon" sits in the Director's chair on this one and crafts a tale that deals with many different emotional themes, carried earnestly by sensitive and character revealing performances from his leading lady and the supporting cast.
While it must be said that Ms. Bullock provides some very memorable scenes in this film (especially when drunk) the casting of Gena Rowlands, Harry Connick Jr, and Michael Pare provide more ballast with fine performances delivered from all.
But the highlight for me in this film - young Mae Whitman and her performance as Ms. Bullock's on-screen daughter. At the conclusion of one very moving scene near the end of the film I could only watch her and wonder at just how bright this young actress' future will be.
So, if blood, bombs and action is your scene, then "Hope Floats" may not be your scene, but if you are into drama with solidly acted and well crafted characters by very fine actors, then "Hope Floats" is for you. It will leave you very satisfied that you took the time to see this very finely made and acted film.
Did you know
- TriviaThe first film made under Sandra Bullock's own production company, Fortis Films.
- GoofsWhen Birdee is sitting with Bernice on her bed after her father has just left her, Bernice tries to rub her eyes by first going under her glasses then she goes right through her glasses where the lens should have been.
- Quotes
Bernice Pruitt: My dad says that childhood is the happiest time of my life. But, I think he's wrong. I think my mom's right. She says that...
[Bernice's voice fades as Birdee takes over]
Birdee Pruitt: [laughing] Childhood is what you spend the rest of your life trying to overcome. That's what momma always says. She says that beginnings are scary, endings are usually sad, but it's the middle that counts the most. Try to remember that when you find yourself at a new beginning. Just give hope a chance to float up. And it will, too...
- ConnectionsFeatured in HBO First Look: Hope Floats (1998)
- SoundtracksStop in the Name of Love
Written by Lamont Dozier, Brian Holland, and Eddie Holland, Jr.
Performed by Jonell Mosser (as Jonelle Mosser)
Produced by Don Was and Ed Cherney
Courtesy of MCA Records
Under license from Universal Music Special Markets
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Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $60,053,195
- Opening weekend US & Canada
- $14,210,464
- May 31, 1998
- Gross worldwide
- $81,471,882
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1